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Modern Poetry in China: A Visual-Verbal Dynamic By Paul Manfredi

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Modern Poetry in China:

Madman at 40, 49, 64

and modernism, 33, 35, 37, 50, 59–60, 67, 98

Modern Poetry, 50, 52, 54–55

Modernist Poetry Quarterly, 68

“My Studio”, 44, 47

New Culture movement, 35

“On Lin Hengtai’s Poetry”, 54

and painting, 33, 37, 47, 73

Remembrance, 37

Seeker of Light, 46–47, 61

and Self-Portrait, xxviii, 44, 47–50, 62–63, 68, 117

Shanghai, 43, 46

“six tenets” of modernist poetry, 51

“Urea theory”, 55, 57–58, 60, 68

Taipei, 43

urban experience, 43

and Xiandai, 36, 41

and Xiandai shi, 36, 50

“Wutong Tree”, 39

Volcano, 39

Jiang Feng, 160

K

Klee, Paul, 124

L

Lanting xu, xxi

Lee, Gregory, xxxiv, 175, 216

Li Bai, xxii, 20, 202, 213

Li He, 16–17, 31

Li Jinfa, xvi–xvii, xxviii–xxix, 33–35, 42, 44–45, 47, 49–50, 60, 73–74, 89, 102–103, 136, 170, 218

and Arts Education, 30

Asian Woman, 20–22, 28

“Abandoned Woman”, 13, 15–17

and Charles Baudelaire, 8

“The Beauty of Women”, 21

Book of Odes, 23, 31

and Jean Boucher, 3

École des Beaux-Arts, 3

“Expressions of Time”, 11, 23–24, 36, 41

“father of Chinese symbolism”, 7

and France, 2–5, 7, 10, 25–26

on gender relations in China, 11

“golden-haired”, 1–2, 5, 23–24, 29, 36

“The Grave of Su Xiaoxiao”, 16

and Li Bai, 20

and Li He, 16

Light Rain, 8, 30

Mu Mutian, 9, 31

“Nocturne”, 25

and reform-oriented discourse, 5

“Rivulet”, 8

and sculpture, 2–4

and self-deprecation, 20

and Self-Portrait, 19, 22

Self-Portrait in Rome Moonlight, 2, 6, 27

“Spring City”, 12

Singing for Good Fortune, 12, 30

and sorrow, 24

and Gerta Scheuermann (wife), 2

and Su Xuelin, 8

and Sun Yushi, 10, 23

and symbolism, 7–10, 17–18, 20, 30

and Tang poetry, 16–17

“A Thought”, 12, 14

Thread of Talk, 23–24

and Western aesthetic tradition, 20

and Zhou Zuoren, 8