Central American Avant-Garde Narrative: Literary Innovation and Cultural Change (1926–1936)

by Adrian Taylor Kane

Table of Contents

Chapter 1: Introduction

Chapter 2: Elements of Play in Luis Cardoza y Aragón’s Maelstrom: Films

Chapter 3: The Subversive Fictions of Max Jiménez

Chapter 4: The Inter-Artistic Aesthetics of Flavio Herrera and Rogelio Sinán

Chapter 5: Miguel Ángel Asturias’s Uses of Surrealism (1929–1933)

Chapter 6: Central American Avant-Garde Fiction in Literary History

Notes

References

Index


 

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