Rethinking the Sinosphere: Poetics, Aesthetics, and Identity Formation
by Nanxiu Qian, Richard J. Smith, and Bowei Zhang
Table of Contents
List of Tables
List of Figures
Preface
A Comparative Chronology of the Sinosphere
Introduction (Richard J. Smith)
Part One: Literary Interactions in the Sinosphere
Chapter 1: Establishing Friendships between Competing Civilizations: Exchange of Chinese Poetry in East Asia in the Fifteenth and Sixteenth Centuries (Jongmook Lee)
Chapter 2: “Heaven Revealed Its Hidden Mercy”: Chinese Allusions as Moral Judgment in the Medieval Japanese Narrative Record of Surprising Events (Michael McCarty)
Chapter 3: Chinese Community of the Imagination for the Japanese Zen Monk Ikkyu Sojun (1394–1481) (Sonja Arntzen)
Chapter 4: From Kuang to Fukyo: Eccentric Personas in Chinese and Japanese Poetry (Peipei Qiu)
Chapter 5: Emulation of Tao Yuanming’s (ca. 365–427) Rhapsody “The Return” and Choson Scholars’ Neo-Confucian Imagination (Hong Cao; translated and edited by Nanxiu Qian)
Part Two: Poetics and Aesthetics
Chapter 6: Singing the Informal: Priest Renzen, Mudaishi, and a World outside the Classical Court (Ivo Smits)
Chapter 7: The East Asian Cultural Image: A Study on “Eight Views of Xiao Xiang” (Lo-fen I)
Chapter 8: Taking Stock of a Tradition: Early Efforts to Write the History of Sinitic Poetry Expression in Japan (Matthew Fraleigh)
Chapter 9: Kanshi as “Chinese Language”: The Case of Mori Ogai (1862–1922) (John Timothy Wixted)
Chapter 10: Developing Vernacular: New Forms of Vietnamese Poetry in the Sixteenth to Seventeenth centuries (K. W. Taylor)
Index
About the Contributors
About the Editors