The Tradition and Poetics of Tihuashi
"The depth of insight that this book provides into the increasingly complex interrelations between the “Three Absolutes” (sanjue: poetry, painting, and calligraphy), especially between the first two, far surpasses any previous English-language study of the subject." - Journal of Asian Studies
An Archaeological and Art Historical Study of Strings, Winds, and Drums during the Eastern Zhou and Han Periods (770 BCE-220 CE)
Winner of the 2010 Nicolas Bessaraboff Prize by the American Musical Instrument Society. This prize is awarded for the most distinguished book-length work in English which best furthers the Society's goal to promote study of the history, design, and use of musical instruments in all cultures and from all periods.
Although previous publications have addressed patronage in the eighteenth-century Austro-German context, major questions relating to artistic influence, changing contexts of viewing and the employment of itinerant musicians and artists in eighteenth-century German courts still remain unaddressed. To address this, the book offers an interdisciplinary perspective, and gathers its conclusions from the interrelated fields of philosophy, visual culture, literature and print culture. Through its specific case-focused approach, the volume makes a departure from prior scholarship by identifying these as mutually exclusive fields.
Art Patronage in Hanoverian Britain, 1714–1759
Recent scholarship has reassessed the public image of the early Hanoverian dynasty as one which captured the popular imagination and encouraged a dynamic relationship with the inhabitants of urban Britain and the social elite. This book explores how and why perceptions of the British monarchy in visual culture changed during a period of growing social mobility and political modernity. This book will be a valuable resource to scholars of British history, British and European art, and history of collections.