Although previous publications have addressed patronage in the eighteenth-century Austro-German context, major questions relating to artistic influence, changing contexts of viewing and the employment of itinerant musicians and artists in eighteenth-century German courts still remain unaddressed. To address this, the book offers an interdisciplinary perspective, and gathers its conclusions from the interrelated fields of philosophy, visual culture, literature and print culture. Through its specific case-focused approach, the volume makes a departure from prior scholarship by identifying these as mutually exclusive fields.
The Tradition and Poetics of Tihuashi
"The depth of insight that this book provides into the increasingly complex interrelations between the “Three Absolutes” (sanjue: poetry, painting, and calligraphy), especially between the first two, far surpasses any previous English-language study of the subject." - Journal of Asian Studies
Art Patronage in Hanoverian Britain, 1714–1759
Recent scholarship has reassessed the public image of the early Hanoverian dynasty as one which captured the popular imagination and encouraged a dynamic relationship with the inhabitants of urban Britain and the social elite. This book explores how and why perceptions of the British monarchy in visual culture changed during a period of growing social mobility and political modernity. This book will be a valuable resource to scholars of British history, British and European art, and history of collections.
This unique book also covers an important period in the genesis of video art and its presentation within significant national and global cultural institutions. It successfully provides a historical explanation for the museum/gallery’s relationship to video art from its emergence in the gallery to the beginnings of its acceptance as a global art phenomenon.