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Acknowledgments
The editors would like to express appreciation to the following sponsors of the conference, Cross-Border Cultural Production: Economic Runaway or Globalization?: the Labor Education and Research Center (LERC), Department of English, Film and Media Group, School of Journalism and Communication, and Canadian Studies Consortium at the University of Oregon; Mid-Oregon Production Arts Network (MOPAN); the Oregon Film and Video Office; and the Canadian Embassy. The conference took place at the University of Oregon, Eugene, Oregon, USA, April 20–22, 2006, and provided the basis for the articles in this volume.
Also, thanks go to Toni Tan and Cambria Press for their efficient and supportive publishing procedures.